the sprefe I odiaaaaa
Monday, December 28, 2009
Friday, December 11, 2009
How To Know If Ga Accepted My Unemployment
dialect comedy "The Tonino Adventures of the Invisible "by pressing and Rodari
Tuesday, December 15 at 20:30 at the Parish Hall Don E. Tognolini Castionetto the Primary School will stage the comedy funny Gianni Rodari "The Adventures of the Invisible Tonino."
Before the play there will be a short video that shows the behind the scenes of the show, where the director Robert De Devitiis helps children express themselves better.
Wednesday, December 9, 2009
Pokemon Heart Goldenglish Rom Desmume
- like puukko
The puukko is the classic hunting knife / fixed blade work, traditionally associated with Scandinavian populations. The most interesting feature in my opinion is the date from the handle, usually made up of rocks of birch wood, with inserts in bone, horn or brass.
Apart from the traditional works, I personally appreciate this kind of handle in because you can use almost any material, having as its only limit (buon!
) taste. Moreover, they are relatively easy to build, and this fits in with the achievements housewives.
Again, this is the "restoration" of an old kitchen knife. Indeed, to be precise, it is a second "restoration" because many years ago I made a simple wooden handle.
The original length of the blade was about 18 cm to 3 mm thick: Because now I do not know what to do the "two-handed swords, I shortened by about 6 cm in order to get a knife more manageable, and therefore more suitable to use the" table "rather than" field ".
The most laborious was the process of the shank, which required a heavy correction in order to accommodate all the components to perfection. Once assembled the pieces and said the flare obtained on the shank bone (this time I tapped, given the limited size available), I went to the usual number of sessions as well as file, rasp and sandpaper. The final shape of the handle was a bit 'rounded (perhaps a bit' too pregnant!), But my big hands do not appreciate at all the thin handles.
the part of the blade nearest the handle I filed a small piece of metal, so as to facilitate sharpening. In fact, in many Scandinavian knives, do not approve of the wire near the beginning of the guard: this will inevitably scratch the front face on the stone, less than difficult maneuvers.
The sheath is made of style "Scandinavian", since it had no way to achieve a "classic", with side seam. I used the natural leather tanned in a neutral color (which has unfortunately required a double dye with a specific dye for leather, relatively toxic). The realization did not present any particular difficulty, helped by the fact that the wet leather takes it very flexible.
currently lacks the sharpness, but until you decide to use it, I'll leave "standing out".
M. 
The puukko is the classic hunting knife / fixed blade work, traditionally associated with Scandinavian populations. The most interesting feature in my opinion is the date from the handle, usually made up of rocks of birch wood, with inserts in bone, horn or brass.
Apart from the traditional works, I personally appreciate this kind of handle in because you can use almost any material, having as its only limit (buon!
) taste. Moreover, they are relatively easy to build, and this fits in with the achievements housewives. Again, this is the "restoration" of an old kitchen knife. Indeed, to be precise, it is a second "restoration" because many years ago I made a simple wooden handle.
The original length of the blade was about 18 cm to 3 mm thick: Because now I do not know what to do the "two-handed swords, I shortened by about 6 cm in order to get a knife more manageable, and therefore more suitable to use the" table "rather than" field ".
The most laborious was the process of the shank, which required a heavy correction in order to accommodate all the components to perfection. Once assembled the pieces and said the flare obtained on the shank bone (this time I tapped, given the limited size available), I went to the usual number of sessions as well as file, rasp and sandpaper. The final shape of the handle was a bit 'rounded (perhaps a bit' too pregnant!), But my big hands do not appreciate at all the thin handles.
the part of the blade nearest the handle I filed a small piece of metal, so as to facilitate sharpening. In fact, in many Scandinavian knives, do not approve of the wire near the beginning of the guard: this will inevitably scratch the front face on the stone, less than difficult maneuvers.
The sheath is made of style "Scandinavian", since it had no way to achieve a "classic", with side seam. I used the natural leather tanned in a neutral color (which has unfortunately required a double dye with a specific dye for leather, relatively toxic). The realization did not present any particular difficulty, helped by the fact that the wet leather takes it very flexible.
currently lacks the sharpness, but until you decide to use it, I'll leave "standing out".
M.
Friday, November 6, 2009
Acute Hiv Rash On Thigh
trip to the vineyard
again this year with the help of Renato elementariness children were able to deepen their knowledge of grapes and wine.
First appointment Tuesday afternoon at the press of Ca Peranda Silvano where children, unfortunately only the third and fourth, they could see how is the grape pressing.
Thursday afternoon with all the classes went to Renato review his vineyard, and control how the plants were taken in May of lives.
Both releases have been greatly appreciated and is thought to have a new release this spring.
Simple Way To Break A Bone
Computers for kindergartners
Since last year the children of asylum Castionetto have lost the ability to use the computer, because the Mac at their disposal it is spoiled.
We therefore decided to replace it with a PC that allows you to use the programs available to asylum.
The PC in question has been kindly donated by a company of our association and promptly arranged for use.
features are more than sufficient, Windows XP SP3 Pentium 4 1.7 Ghz, 1G RAM, 20G HD 17 "LCD.
Once updated through windows update, installed some programs that could be used (using the handy site www.ninite.com ) has started searching for programs for that age group.
project interesting is the Sugar but it seemed a bit 'too complex for children ages 3 to 6 years.
Some links related to the pre-school .
Gcompris (version 8.4.13) is very well done, available in full version for Linux and limited to certain activities for Windows.
Then the first test on the 'end user' has been highlighted the difficulties of the double click. Selecting
the desktop in the "windows explorer" and selecting the menu Tools -> Folder Options, Select your items and openness "has the ability to choose" A click to open the object. " Another interesting program is
ChildsPlay himself in version 1.4 Linux and Windows.
Children have begun to use it and test the software loaded, waiting for other fun and educational opportunities.
Wednesday, October 28, 2009
What Color Is The Ribbon For Throat Cancer
Monti Lucretili
The western side of the Mountains Lucretili: recognize Monte Pellecchia (left) and Monte Gennaro (right).
Lucretili Mountains are part of the central and southern appendix represent the chain of the Monti Sabini. They occupy a territory that stretches between the provinces of Rome (mostly) and Rieti, and culminate in the summit of Monte Pellecchia, to 1368 meters. The geology
consists predominantly of limestone and marl deposits in the western sector, and more clayey soils in the east. Because of this composition, there are numerous well as extensive karst features, including the Pratone it is the most obvious example.
The morphology of the territory, coupled with its stratigraphy, also make possible the presence of numerous sources of water, more or less evenly distributed.
Traces of the exploitation of the area by man goes back to the Paleolithic, evidenced by the presence of numerous stone artefacts. Since then, the area saw a constant human presence, which culminated with the conquest of central Italy by the Romans. E ' this period, in fact, dating back to the country villas of which traces remain today, the most famous of which is surely the Villa of Horace, to License.
After the Roman expansion, then there was the "contraction" typical of the medieval period, in which the many castles were built in the area, as well as fortresses and monasteries around the country.
In more recent times there has been a renewed "interest" for the area, culminating in the construction of close to the peak of Monte Gennaro and its cable car, which today are in a state of total abandonment. The tower visible on top of Mount Morris, despite the appearance "medieval", is of recent times: it was built in 1970 by Camillo this Cruciani, hence the name "tower Cruciani.
On June 26, 1989 was instituted the Regional Park of Monti Lucretili, the territory on which covers about 18,000 hectares on both sides of the thirteen municipalities.
Worthy of note is the presence of a pair of eagles that nest on the Monte Pellecchia (and I was lucky enough to spot, even from far away) and that most elusive of the wolf, which is reported on the rise.
Lucretili Mountains have been the subject of many excursions, which will deal more extensively later.
M. 
The western side of the Mountains Lucretili: recognize Monte Pellecchia (left) and Monte Gennaro (right). consists predominantly of limestone and marl deposits in the western sector, and more clayey soils in the east. Because of this composition, there are numerous well as extensive karst features, including the Pratone it is the most obvious example.
The morphology of the territory, coupled with its stratigraphy, also make possible the presence of numerous sources of water, more or less evenly distributed.
Traces of the exploitation of the area by man goes back to the Paleolithic, evidenced by the presence of numerous stone artefacts. Since then, the area saw a constant human presence, which culminated with the conquest of central Italy by the Romans. E ' this period, in fact, dating back to the country villas of which traces remain today, the most famous of which is surely the Villa of Horace, to License.
After the Roman expansion, then there was the "contraction" typical of the medieval period, in which the many castles were built in the area, as well as fortresses and monasteries around the country.
In more recent times there has been a renewed "interest" for the area, culminating in the construction of close to the peak of Monte Gennaro and its cable car, which today are in a state of total abandonment. The tower visible on top of Mount Morris, despite the appearance "medieval", is of recent times: it was built in 1970 by Camillo this Cruciani, hence the name "tower Cruciani.
On June 26, 1989 was instituted the Regional Park of Monti Lucretili, the territory on which covers about 18,000 hectares on both sides of the thirteen municipalities.
Worthy of note is the presence of a pair of eagles that nest on the Monte Pellecchia (and I was lucky enough to spot, even from far away) and that most elusive of the wolf, which is reported on the rise.
Lucretili Mountains have been the subject of many excursions, which will deal more extensively later.
M.
Sunday, October 25, 2009
Retailers That Sell West Coast Choppers Clothing
THE nized Selvadego - theater Castionetto
This year, given the success of the theater of last year, friends of the association of the Sbrega Piateda we propose their new production.
The evening as usual with free admission, will be Friday, November 13 at 21 in the Parish Hall "Don E. Tognolini "on Castionetto Chiuro.
The characters in "LA nized Selvadego ( poster) will be
prufesor Barbet L = L Scior
Graziadelli Lorenza de Paola Vintuleddu
Ambria = L = Castelasc Scior de Luca Elena De Maestri
Luisina = Amonini
The Sciora Tilda Daniela = Gaburri
The Sciora Climintina = Chiara Morelli
Michil = Loris Micheletti
Grandma (of Luisina) = Giuliana Moreschi
Saturday, October 3, 2009
Como Registrarme En Tech Deck Live
Trip to Tartano
Thursday, October 1 at 8:30 am we left by bus for Tartano with all 21 children of primary school teachers and Castionetto.
Massimo Pizzatti, with whom we had another hike awaited us on the road. Nicola unfortunately had a prior commitment and could not be with us.
The climb on the bus was, contrary to predictions, quite quiet. A field we stopped to get milk.
We therefore Val continued for a long stopping Piana at 10.
We then went to visit the wood museum accompanied by a local highly available.
The first two plans were presented by Massimo.
The first plants on the site, the second on plants and some free tools used for woodworking.
The third plan was then presented by the people I met upon arrival, she explained that their use together with some anecdotes about his childhood in these places. Meanwhile
Massimo and I (Carlo) we went to prepare lunch. The menu included polenta and milk (and cleaning spray).
In a large flat area in the woods (looking a bit 'Jurassic!) We put the' kitchen '. Two pots of polenta hanging from a beam secured to a plant.
at noon and fourth came the kids, obviously hungry!
Waiting for the polenta was cooked began to rummage in backpacks and eat something to calm hunger.
Finally at 12:45 the polenta was ready ... only someone eating polenta, polenta and some others only milk and milk. This latest version in a specially made by many.
afternoon we began the carpenter's workshop. The goal was to build a ladder in forest products.
Two plants chosen for Massimo among those who were less healthy, fairly small, have turned out more than forty years of watching the rings of trees. Once measured and analyzed in several areas have been cleared from the branches.
So with the children we started to cut the stem to make a manual scale with a hacksaw ...
... drilling the holes with a drill ...
removing the bark ... ...
and ... inserted the pegs ...
... to get our scale!
have it all tested and proved to be very stable!
Meanwhile some have even built a wooden hammer.
After the workshop, at 16.30 we have taken the bus.
On the way back, we visited the barn where we had milk in the morning ...
At 18:30 we arrived at school to Castionetto tired, but happy all of the beautiful day.
Thursday, October 1, 2009
Volley Shoes New Zealand
Abbey S. Mary Gruptis (Part III)
Beyond the church, we pause a moment to observe the gorge below, for then turn right and continue browsing. Here we find a narrow staircase leading to the upper floor of the monastery (which is practically insists the ground floor of the square tower) plus several small rooms built against the rock wall. A little further on, we come across a thin slab (15-20 cm at the midpoint), supported by a barrel vault, covering those that appear the remains of a staircase leading down, at right angles with respect to the church. Obviously, we are immediately attracted by the prospect of off in some basement, and we are now satisfied by a small opening in the wall on the right, where you can see a completely dark room. The euphoria is the star, and we immediately fall into that dirazione (uttering the now famous "... ppiisc ppiisc ...", to alert any wildlife of our presence!
). I light the torch that had prudently led is lit (poorly, I would say!) The walls: in our eyes is revealed a rectangular room, seemingly carved into the rock, about 3x5 meters, covered by a barrel vault. At the center of the ceiling we see a bat, indifferent, continues to rest. The floor is completely covered with earth and leaves, and it seems to walk on a mattress. Despite the torch, the darkness is impenetrable, so snap a few pictures with flash, with the hope that the camera manages to focus on something, and simultaneously use the flash to try to capture some details. The only thing I can see is that the right wall is closed, while the left has a kind of split at the base, but I can not see anything. Looking at the photos at home, not only to discover that the camera was able to put in sharp focus the environment, but I also see that the left side of the room was inhabited by a host of friendly animals such as giant spiders (who turned out to be rather dolicopode), scorpions and whatnot. In addition, the crack that I had glimpsed through the flash seems to be a step, however, covered the ground caved presumably from (Photo 8).
Photo 8. The interior of the cellar, lit by the flash of the camera (the dolicopode are clearly visible on the left wall).
back to the surface, we continue to walk along the cliff to our right, arrive at what are the real caves (photo 9), namely, some of karst cavities enclosed by walls and transformed it into small rooms. Here too we find a pipistello hanging from the ceiling, but this is livelier than before, and it decides to take off just as the step below. The last room is the largest (visually connected with another environment, higher by about 3 meters), while before that meet two or three small rooms very small: one of them, in fact, its interior is dominated by a huge block of stone obliquely, which creates a triangular space difficult to exploit, perhaps 2 feet wide and deep even less.
Photo 9. The gro tte karst.
After visiting these rooms, we are forced to turn back, as the rock wall that closes this area is too steep to climb or get around. So back near the small staircase that leads upstairs but, despite being formally in (I think the only scale of the monastery to have remained intact for almost the entire height) decides to jump over a wall and go up as the middle floor, where there are many ruins of environments now unrecognizable and completely overgrown by trees and shrubs (photo 10). Here we find a narrow corridor that seems to lead down, but our hope is soon for new underground rooms cut short when, ritch few meters and turned a corner on the left, I discovered that ends in a sort of window looking out over the caves as a guideline, having previously .
Photo 10. The remains completely overgrown.
On completion of the observation area, drive along a stretch of the upper walls, and then getting in some circles of connection, among which a large-scale square (unfortunately completely collapsed) (photo 11), which is accessed by a short corridor, out from which we find ourselves in a small cloister (or so it seemed) that borders on the ground floor of the big tower. As we look out for any openings (one of which gives the main entrance of the abbey), we hear a faint but constant hum in the background. We raise our eyes and see a continuous movement of bees coming and going from a point on the wall that we can not see. I do not mind that much, now that we're almost getting used to their constant presence (And I mean constantly say that did not pass a moment that is not there a buzz around, never seen such a concentration). Going into the tower, we immediately notice the absence of the central part of the ceiling, bringing the center of the room and see that all the floors are missing inside the center, in an almost perfectly circular. This allows us to directly observe the roof of the tower, made of concentric circles of stones bound with mortar (Photo 12). Leaving the side opposite where we entered, we find ourselves at the entrance of the path, that is just before the point where we decided not to go to not leave anything out. Turned the corner, there is a low window that leads to the first floor of the tower. We climb quite easily, and went sliding on the walls (given the large central hole) are in a corner of a small staircase that leads upstairs chiocchiola. It does not remain that the few initial steps (carved in stone and projecting) and the tracks on the cylindrical wall, which is clearly seen that the spiral path, I come up to the roof. On either side of the corner opposite, there are two huge windows that overlook a sull'imbocco of the path and the other at the main. While we are going to get from where we went, we realize that what we thought a window is actually a fire, whose outer wall has collapsed, leaving an opening in the wall is very similar to the others: we see it, above it, a large rectangular chimney that rises, tapering to the roof. The last look before going down is for the upper floor of which you can see some traces of the floor (photo 13).
Photo 11. A staircase collapsed completely.
Photo 13. The second floor of the tower.
I went down to ground level, we turn left towards the high walls that enclose the monastery to the north. Just beyond the edge of the tower, we hear again that faint buzz than before. We raise our eyes to the roof, and we finally find the cause of so high that the presence of hornets: clinging to the rocks, there is a really big nest, with a swarm of insects buzzing around him. We head quickly towards the end of the walls, and as we walk along the perimeter are witnessing a very striking visual effect: the light of the setting sun filtering through the dozens of holes in the wall and lights up the woods restrostante creating a sort of chess board perfectly regular (photo 14).
Photo 15. The beautiful landscape visible from the top.
back down the hillside to munch on something before you walk towards the path of return. Reviewing for the last time beside the abbey, and then see then gradually disappear among the trees that the trail goes.
M. 
Beyond the church, we pause a moment to observe the gorge below, for then turn right and continue browsing. Here we find a narrow staircase leading to the upper floor of the monastery (which is practically insists the ground floor of the square tower) plus several small rooms built against the rock wall. A little further on, we come across a thin slab (15-20 cm at the midpoint), supported by a barrel vault, covering those that appear the remains of a staircase leading down, at right angles with respect to the church. Obviously, we are immediately attracted by the prospect of off in some basement, and we are now satisfied by a small opening in the wall on the right, where you can see a completely dark room. The euphoria is the star, and we immediately fall into that dirazione (uttering the now famous "... ppiisc ppiisc ...", to alert any wildlife of our presence!
). I light the torch that had prudently led is lit (poorly, I would say!) The walls: in our eyes is revealed a rectangular room, seemingly carved into the rock, about 3x5 meters, covered by a barrel vault. At the center of the ceiling we see a bat, indifferent, continues to rest. The floor is completely covered with earth and leaves, and it seems to walk on a mattress. Despite the torch, the darkness is impenetrable, so snap a few pictures with flash, with the hope that the camera manages to focus on something, and simultaneously use the flash to try to capture some details. The only thing I can see is that the right wall is closed, while the left has a kind of split at the base, but I can not see anything. Looking at the photos at home, not only to discover that the camera was able to put in sharp focus the environment, but I also see that the left side of the room was inhabited by a host of friendly animals such as giant spiders (who turned out to be rather dolicopode), scorpions and whatnot. In addition, the crack that I had glimpsed through the flash seems to be a step, however, covered the ground caved presumably from (Photo 8). 
Photo 8. The interior of the cellar, lit by the flash of the camera (the dolicopode are clearly visible on the left wall). 
Photo 9. The gro tte karst. After visiting these rooms, we are forced to turn back, as the rock wall that closes this area is too steep to climb or get around. So back near the small staircase that leads upstairs but, despite being formally in (I think the only scale of the monastery to have remained intact for almost the entire height) decides to jump over a wall and go up as the middle floor, where there are many ruins of environments now unrecognizable and completely overgrown by trees and shrubs (photo 10). Here we find a narrow corridor that seems to lead down, but our hope is soon for new underground rooms cut short when, ritch few meters and turned a corner on the left, I discovered that ends in a sort of window looking out over the caves as a guideline, having previously .
Photo 10. The remains completely overgrown. 
Photo 11. A staircase collapsed completely. 
Photo 12. The roof slab, as seen through the two floors collapsed.
Photo 13. The second floor of the tower. I went down to ground level, we turn left towards the high walls that enclose the monastery to the north. Just beyond the edge of the tower, we hear again that faint buzz than before. We raise our eyes to the roof, and we finally find the cause of so high that the presence of hornets: clinging to the rocks, there is a really big nest, with a swarm of insects buzzing around him. We head quickly towards the end of the walls, and as we walk along the perimeter are witnessing a very striking visual effect: the light of the setting sun filtering through the dozens of holes in the wall and lights up the woods restrostante creating a sort of chess board perfectly regular (photo 14).
Photo 14. The dramatic lighting effect created by the setting sun.
reached the extreme edge, we can not go any further, since it is close to the precipice (as for the church here has been exploited all the available space), so we decide to head towards the nearby ridge, 10-15 yards high. From there, the view is spectacular: you can see a long stretch of the river and the Heat of the Matese massif, which closes the scenes in the background. 
Photo 15. The beautiful landscape visible from the top. back down the hillside to munch on something before you walk towards the path of return. Reviewing for the last time beside the abbey, and then see then gradually disappear among the trees that the trail goes.
M.
How To Get Water Out Of Laptop
Abbey S. Mary Gruptis (Part II)
The ruins of the abbey have always stimulated our curiosity: every time he went up to Camposauro, slowed down to observe it better, and looking around a smooth path to get there. But the apparent lack of interest I mentioned previously we have always discouraged, convinced that in the end not worth it. The incentive to do an exploration has been given to close by reading a guide from the park, which briefly describes the abbey. Once you have the name, it was relatively easy to collect such information, especially on how to reach the place in question. In addition, reported by some sources, a legend tells of a mysterious tunnel that would lead to a secret room inside the mountain: even though we were convinced of its poor reliability, it was irresistible.
leave the car along the road, begin to go down to the little valley at the foot of Mount Pentime, following a paved road (road easily passable by car, if the initial stretch, quite rough, there would be deterred from proceeding). In the distance you can see the ruins of the abbey, about 2 km as the crow flies (Fig. 1).
Photo 1. The distance that separates us from the ruins of the abbey.
The road continues almost entirely in a straight line, ending abruptly in front of a gate, then we become aware that you had not take the path a hundred yards reported encountered before. Seeing a few dozen yards away in the woods, we decided to climb the steep slope to our right rather than go back. We reach a point where a small landslide has literally translate a piece of the path down (photo 2), and it took us a few seconds to understand what had happened, as the line of the landslide was so sharp that it seemed almost a step that purpose.
Photo 2. The landslide and its effects.
continue along the pavement without any particular difficulty, given the low slope, except for some steeper sections that fold in on itself to avoid obstacles or to get to share anyway, since it travels much higher in the monastery. However the path is clean and well maintained (apart from a fallen tree met a few meters after the landslide), and the tour becomes almost a walk. As we approach the goal, the surrounding land becomes markedly rocky outcropping with the presence of huge boulders that create small caves and crevices (after all, the name of the monastery is not accidental). On arriving near the ruins, there emerges the tower in all its grandeur.
Photo 3. The square tower.
the ground floor there is an opening, but to avoid forgetting something and decide not to go further down the trail, we finally arrive at what was originally the entrance to the abbey itself ( Photo 4). Unfortunately, the portion of the wall around the door has been rebuilt recently, cementing stones collected on the spot: the historical level is a punch in the eye, but makes pretty good aesthetically (if nothing else, you clearly understand the inconsistency, so you avoid false dating). Once inside, you find yourself in a rectangular shape with a wall on the right Continuous maybe three feet high (from memory), while on the left, near the entrance, we find a lower opening that opens onto a small staircase leading to first floor, overlooking the lobby (photo 5).
Photo 4. The entrance to the abbey.
Photo 5. The inside of the entrance.
We realize now the precariousness of the structure, in addition to the inherent danger because the immediate vicinity of the outer walls of the precipice. We walk on a floor made of tiles and stones of varying sizes mixed with huge amounts of land, all held firmly by roots of several trees grown indoors. On axis with the entrance, after this first environment, we find what I assume is a kind of cloister, because just ahead is the entrance of the church (a church "internal", that is accessible by a corridor or a unlikely to see the room, so I suppose it had a facade). It does not remain only a few remnants, represented by some sections of the front wall (with the base of the pillars of the entrance made of stone, as well as a shelf on the right side sorpendete squared with precision) (photo 6) and rear axle, in where you can see a pointed arch, the lateral fragments of the cruise and what remains of the small apse (Photo 7). This building was built using all the space available, so much so that the wall is close to the precipice. The ribs, without any molding are made from stone blocks interspersed with thin layers of clay.
Photo 6. The remains of the pillars at the entrance.
Photo 7. The back of the church.
The ruins of the abbey have always stimulated our curiosity: every time he went up to Camposauro, slowed down to observe it better, and looking around a smooth path to get there. But the apparent lack of interest I mentioned previously we have always discouraged, convinced that in the end not worth it. The incentive to do an exploration has been given to close by reading a guide from the park, which briefly describes the abbey. Once you have the name, it was relatively easy to collect such information, especially on how to reach the place in question. In addition, reported by some sources, a legend tells of a mysterious tunnel that would lead to a secret room inside the mountain: even though we were convinced of its poor reliability, it was irresistible.
leave the car along the road, begin to go down to the little valley at the foot of Mount Pentime, following a paved road (road easily passable by car, if the initial stretch, quite rough, there would be deterred from proceeding). In the distance you can see the ruins of the abbey, about 2 km as the crow flies (Fig. 1).
Photo 1. The distance that separates us from the ruins of the abbey. 
Photo 2. The landslide and its effects. 
Photo 3. The square tower. the ground floor there is an opening, but to avoid forgetting something and decide not to go further down the trail, we finally arrive at what was originally the entrance to the abbey itself ( Photo 4). Unfortunately, the portion of the wall around the door has been rebuilt recently, cementing stones collected on the spot: the historical level is a punch in the eye, but makes pretty good aesthetically (if nothing else, you clearly understand the inconsistency, so you avoid false dating). Once inside, you find yourself in a rectangular shape with a wall on the right Continuous maybe three feet high (from memory), while on the left, near the entrance, we find a lower opening that opens onto a small staircase leading to first floor, overlooking the lobby (photo 5).
Photo 4. The entrance to the abbey. 
Photo 5. The inside of the entrance. 
Photo 6. The remains of the pillars at the entrance. 
Photo 7. The back of the church. M.
Tuesday, September 29, 2009
Will A Casette Adapter Work In A Boombox
Abbey S. Mary Gruptis (Part I)
The monastery of St. Mary Gruptis rises on the south-west of Mount Pentime in the territory of the Regional Park Taburno-Camposauro. It was built between 940 and 944 by the Lombards (Benevento and established in more than three centuries earlier) and was dedicated to the Virgin Mary, although other sources postpone the consecration as the structure may have originally had a military function, given its strategic location .
Built halfway up the eastern slope of the narrow gorge called "the funn " or "the Puzzillo , suffered numerous architectural projects, many of them as a result of disastrous natural events such as earthquakes and fires.
The first inhabitants were the Benedictine monks of the abbey, followed by Celestine in 1264 and then by Humble in 1303. Subsequently returned to the Benedictines, was eventually entrusted to Camaldolesi in 1660, that lived up to the devastating earthquake of June 5, 1688 (XI on the Mercalli scale), which caused serious damage to the structure. As a result, and apart from the fact that by now had become the object of repeated raids by bandits, Cardinal Orsini VM (archbishop of Benevento and the future Pope Benedict XIII), ordered the abandonment, desecrating permanently in 1705 during a visit pastoral.
Look to the road from the port Solopaca Vitulano.
Currently only the ruins remain visible, but even so it is easy to reconstruct the shape original: in addition to the tower and the outer walls (best preserved elements), are the remains of the church (in line with the main entrance and near the cliff), wineries and sites for the Friars (right of the church) , together with a number of other areas of connection, as some flights of stairs preserved relatively well.
Due to the collapse of almost all the covers (the only areas covered are the square tower and some room, especially those coming in karst caves) the structure is completely invaded by trees and shrubs in a uniform manner so that it almost seems that they are the ruins have to work hard to preserve their "living space", and not vice versa. For this reason, most of the buildings is completely hidden to the eye, giving the impression from afar that the place is devoid of any interest. It is this apparent lack of interest that has led us to close observation, because, to put it simply, we wanted to take away the doubt.
M. 
The monastery of St. Mary Gruptis rises on the south-west of Mount Pentime in the territory of the Regional Park Taburno-Camposauro. It was built between 940 and 944 by the Lombards (Benevento and established in more than three centuries earlier) and was dedicated to the Virgin Mary, although other sources postpone the consecration as the structure may have originally had a military function, given its strategic location .
Built halfway up the eastern slope of the narrow gorge called "the funn " or "the Puzzillo , suffered numerous architectural projects, many of them as a result of disastrous natural events such as earthquakes and fires.
The first inhabitants were the Benedictine monks of the abbey, followed by Celestine in 1264 and then by Humble in 1303. Subsequently returned to the Benedictines, was eventually entrusted to Camaldolesi in 1660, that lived up to the devastating earthquake of June 5, 1688 (XI on the Mercalli scale), which caused serious damage to the structure. As a result, and apart from the fact that by now had become the object of repeated raids by bandits, Cardinal Orsini VM (archbishop of Benevento and the future Pope Benedict XIII), ordered the abandonment, desecrating permanently in 1705 during a visit pastoral.
Look to the road from the port Solopaca Vitulano. Due to the collapse of almost all the covers (the only areas covered are the square tower and some room, especially those coming in karst caves) the structure is completely invaded by trees and shrubs in a uniform manner so that it almost seems that they are the ruins have to work hard to preserve their "living space", and not vice versa. For this reason, most of the buildings is completely hidden to the eye, giving the impression from afar that the place is devoid of any interest. It is this apparent lack of interest that has led us to close observation, because, to put it simply, we wanted to take away the doubt.
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